Abstract
This narrative experiment expands upon Wyatt and Gale’s practice of “writing to it” that involves interactions between humans and an artificial intelligence (AI) chatbot named ChatGPT. Building on Haraway’s concept of the cyborg, posthuman creativity opens up a larger space for material-discursive practices, taking account of human and other-than-human forms of agency in the apparatuses of bodily production. By applying diffractive interpretations and analyses across various situations, I then experience the implications of research where discourse and matter mutually constitute the production of knowing. The intention is not to discover something that already exists within the experience of “knowing,” but rather to re-orient one’s thinking and understand the histories of be(com)ing the other within a dialogical, judgment-free space. By embracing posthuman creativity, ChatGPT could potentially serve as an ontological response to St. Pierre’s call for experimenting and creating other “new forms of inquiry.”
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