Abstract
This chapter discusses postcolonial intimacy by surveying post-1945 cultural productions on Korean–Japanese intermarriage. It offers a short sketch of the construction of the postcolonial memory of colonial intimacy in South Korean popular culture and analyzes the normalization of Korean patriarchal narratives about Korean–Japanese relationships. It also reviews the “Hyŏnhaet'an” narrative with the movie Hyŏnhaet'an Ŭn algoitta in 1961 and the post-1998 lifting of the ban on Japanese culture in South Korea, particularly the differences between the reception of the Japanese film Hotaru in Japan and Korea. The chapter looks at the 2010s, with the movies Tŏkhye ongju (The last princess), Agassi (The handmaiden), and Pak Yŏl (Anarchist from colony). It recounts the Korean War and the Cold War politics that dominated both North and South for the next few decades and impeded the decolonization process in the Korean Peninsula.
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