Abstract
Liking the Instagram post of a humanitarian celebrity, e-shopping from a charity shop or signing an online petition on Black Lives Matter have become popular forms of digital activism. While such activism, what I call post-humanitarian solidarity, has helped popularize important causes worldwide, in this paper, I argue for the need of a critical pedagogy that also alerts us to the limitations of this form of activism. It is, in particular, the synergy of corporate humanitarianism with the entertainment industry and platform capitalism that such critical pedagogy should focus on, raising questions about the political and ethical implications of post-humanitarian solidarity and the kinds of global publics it gives rise to.
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