Abstract
The article proposes a dialogue between the notion of music scene and the concept of sharing sensitive, developed by the French philosopher Jacques Ranciere. The suggestion is to understand the scenes as dynamic spaces, marked by processes of identification and differentiation between groups of individuals who are related due to certain sound and identity references. Thus, the musical experiences become shared, through collective actions involving aesthetics and politics. To materialize these considerations, we analyze the Riot Grrrl scene, feminist aspect of punk rock, trying to think how the alliances that are established in the music field are also forms of collective enunciation and give visibility to individuals who were not considered as protagonists in the sound territories.
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