Abstract
This study was made possible in part by generous grants from the Folger Institute, the Emory University Research Committee, and the Emory University Faculty Development Office. David Kastan judiciously guided my first inquiries into the vast ocean of Tudor historiography; I hope this reading does justice to his teachings. My gratitude to Carlos Alonso and Karen Stolley for agreeing to read different versions of this piece, and to Emilia Navarro, Patrick Garlinger, Dara Goldman, and Sandra Still for their solidarity and implacable constructive criticism. 1El Conde Partinupls, first printed in 1653, is one of two dramatic texts attributed to the Sevillian seventeenth-century playwright and poet Ana Caro. All subsequent references to El Conde are from Lola Luna's edition of the text; line numbers are indicated in parentheses.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
