Abstract

Portfolio of WoodturningA Special Section Charles Farrar (bio) [End Page 379] Click for larger view View full resolution Charles Farrar © Ellen Scarborough / The Charlotte Observer [End Page 380] Click for larger view View full resolution Hol-e Grail (2003) by Charles Farrar. Thin wall ant-eaten vessel, poplar (h: 7″h × 7″). Collection of Mrs. Joan Leggett, Danville, Virginia. Charles Farrar © 2003 [End Page 381] Click for larger view View full resolution Singing Bowl (1997) by Charles Farrar. Tall, open jar, quilted maple burl (h: 13″ × 10 ½″). Collection of Ms. Marlene Cox, Charlotte, North Carolina. Charles Farrar © 1997 [End Page 382] Click for larger view View full resolution Hammered Wood Series (1999) by Charles Farrar. Textured wood surface with gilding, ash (h: 5″ × 7″). Charles Farrar © 1999 [End Page 383] Click for larger view View full resolution Windswept (1999) by Charles Farrar. Black walnut burl (h: 9½″ × 19″). Collection of Mr. and Mrs. Warren Kean, Mooresville, North Carolina. Charles Farrar © 1999 [End Page 384] Click for larger view View full resolution Hollow Form (2004) by Charles Farrar. Buckeye burl (h: 11″ × 12″). Charles Farrar © 2004 [End Page 385] Click for larger view View full resolution Hammered Wood Series (2003) by Charles Farrar. Textured surface with African blackwood spout and foot, poplar (h: 8″ × 11″). Charles Farrar © 2003 [End Page 386] Click for larger view View full resolution Lidded Vessel with Brass (2009) by Charles Farrar. Textured surface, antiqued with brass application, ambrosia maple (h: 10″ × 13″). Collection of Mrs. Crandall Bowles, Fort Mill, South Carolina. Charles Farrar © 2009 [End Page 387] Click for larger view View full resolution Lidded Hollow Form (2011) by Charles Farrar. Spalted maple with maple burl lid (h: 10″ × 9″). Charles Farrar © 2011 [End Page 388] Charles Farrar American Artist Charles Farrar Charles Farrar holds a business degree from Virginia State University, is a James Solomon Russell Scholar in Religious and Philosophical Studies, and has completed graduate work with the Archbishop of Canterbury, Lambeth Palace, London. His artwork has been exhibited in such major US cities as Albuquerque, Charlotte, St. Paul, Richmond, Atlanta, and New York, and his work has been on permanent loan with the State Department at the US Embassy in Madagascar. His corporate commissions include Bank of America, First Citizens Bank & Trust Company, and The David Geffen Playhouse, Los Angeles. He has served as member of the Advisory Committee of the Mint Museum of Craft + Design, Charlotte, NC, and is a member of the Cabarrus Arts Council Board, Concord, NC, the American Association of Woodturners, the American Craft Council, and Charlotte Area Woodturners. He lives and creates in Concord, NC. Copyright © 2012 The Johns Hopkins University Press

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