Abstract
The topic of this paper is defining the concept of popular culture and determining its influence on the formations of social connection of dramatic characters of Harold Pinter. The first part of the paper relies on the theories of the renowned sociologists regarding the explication of the concept of popular culture and the determination of its elements, with a special focus on social formations. In the second part of the paper, the comparative method determines and explains the social formations that make up the dramatic characters of Harold Pinter in the dramas: The Dumb Waiter, The Caretaker, Homecoming, No Man’s Land, Betrayal and Celebration. More precisely, the connection of Harold Pinter’s drama charac- ters is classified into: an association which purpose is to achieve individual goals (family, friends, business associates) and an association which purpose is in itself (celebration). The aim of this paper is to determine the extent to which popular culture influences the formations of social associations of the protagonists of Harold Pinter’s drama characters.
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