Abstract
The emergence of a literature in English in Nigeria is usually described as a rapid post-war phenomenon, an unexpected flowering of creative energy which took scarcely more than two decades to produce rich, ripe fruit. According to most published reports, this literature was born suddenly in 1952 out of the pregnant thumb of Amos Tutuola; was nursed through a wobbly infancy by Cyprian Ekwensi, T. M. Aluko, and Onuora Nzekwu; was guided through a magnificent adolescence by Chinua Achebe, Wole Soyinka, J. P. Clark, Christopher Okigbo, and their numerous university-trained followers; was tested by a civil war which left several casualties but no diminution of the will to write; and was later restored to normal prolificacy by the assiduous application of old and new talents.
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