Abstract
This paper reflects on the role of folklore festivals in the contemporary world. Based on ethnographic research carried out in the context of the Folklore Festival of Olímpia – FEFOL – (São Paulo/Brazil) and with Pastoril Dona Joaquina de São Gonçalo do Amarante (Rio Grande do Norte/Brazil), folklore festivals will be understood as new contexts of performance for the practices of the performative groups of Brazilian popular cultures. The reflection is based on Wenger (2012) and Turino (2008).
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