Popular Culture and Politics: Whispers and the ‘Dramaturgy of Power’ in Kenya

Abstract

Popular culture has become one of the most visible sites of critical social and political interpretation in post-colonial Africa. It is a site where an alternative public space is created and where various discourses; social, economic and political are invariably debated and negotiated. In many ways its various forms reflect, other times allegorize, fundamental transformation in society. In Kenya, a weekly newspaper column, Whispers, written by one of the country's most prolific fiction writers Wahome Mutahi, became arguably the most visible site of social, cultural and political expression for the last two decades, at a time when freedom to such expression was highly constrained by the state. The column echoed life in Kenya in all its banality but also in its distinctiveness. It interrogated a range of issues but most profoundly, the ‘performance of power’ in the country. Drawing from a pool of cultural resources and various forms of social and political culture, Whispers made legible the ambiguous interactions of ‘political performance’ in Kenya, how the subject population and the polity are all actors in a contradictory carnival of ‘mutual zombification’ which is at once empowering and disempowering. This paper engages with how fiction lays bare the intricacies of ‘political performance’ in the African postcolony using Kenya as a case study.