Abstract
Contents: Introduction Part I Aesthetics and Authenticity: 'Sing it for me': posthuman ventriloquism in recent popular music, Joseph Auner Art versus technology: the strange case of popular music, Simon Frith Pearls and swine: the intellectuals and the mass media, Simon Frith and Jon Savage Remodeling Britney Spears: matters of intoxication and mediation, Stan Hawkins and John Richardson The production of success: an anti-musicology of the pop song, Antoine Hennion In excess? Body genres, 'bad' music, and the judgment of audiences, Leslie M. Meier Hits and misses: crafting a pop single for the top-40 market in the 1960s, Robert Toft. Part II Groove, Sampling and Production: Frank Sinatra: the television years - 1950-1960, Albert Auster Mediating music: materiality and silence in Madonna's Don't Tell Me, Anne Danielsen and Arnt Maaso Sample and hold: pop music in the digital age of reproduction, Andrew Goodwin 'Caught in a whirlpool of aching sound': the production of dance music in Britain in the 1920s, Mark Hustwitt Spice world: constructing femininity the popular way, Dafna Lemish Modelling the groove: conceptual structure and popular music, Lawrence M. Zbikowski. Part III Subjectivity, Ethnicity and Politics: Like a virgin-mother? Materialism and maternalism in the songs of Madonna, Barbara Bradby 'That ill, tight sound': telepresence and biopolitics in post-Timbaland rap production, Dale Chapman Sex, pulp and critique, Eric F. Clarke and Nicola Dibben Pop and the nation-state: towards a theorisation, Martin Cloonan Believe? Vocoders, digitalized female identity and camp, Kay Dickinson Music and Canadian nationhood post 9/11: an analysis of Music Without Borders: Live, Susan Fast and Karen Pegley Black pop songwriting 1963-1966: an analysis of US top 40 hits by Cooke, Mayfield, Stevenson, Robinson, and Holland-Dozier-Holland, Jon Fitzgerald 'A fifth of Beethoven': disco, classical music, and the politics of inclusion, Ken McLeod 'The digital won't let me go': constructions of the virtual and the real in Gorillaz' Clint Eastwood, John Richardson Navigating the 'channel': recent scholarship on African-American popular music, David Sanjek Prince as queer poststructuralist, Robert Walser Name index.
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