Abstract
The article explores the diversity of artistic language based on the cognition of polyphonic, natural philosophical images created by the outstanding master of realistic art, academician of the Russian Academy of Arts, member of the Presidium of the Russian Academy of Arts, First Secretary of the Union of Artists of Russia, Chairman of the Moscow Branch of the Union of Artists of Russia, People’s Artist of the Russian Federation, Honored Artist of the Russian Federation N. I. Borovsky. With insuffi cient knowledge of the artist’s method of work in modern art studies, the interview with N. I. Borovsky reveals new aspects of the painter’s individual line of creativity in the socio-cultural space of modernity, gives relevance to the study and reveals its scientifi c novelty.
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