Abstract
Resumo:En una aproximación filosófica al trabajo del compositor estadounidense John Cage, se aplican las nociones derrideanas de espectro y fantasma para comprender su concepción del sonido y revelar la condición política de su arte. Esta condición está absolutamente ligada a un deseo de justicia que nace en las raíces de una América devastada por el dominio europeo. Su manifestación, en la obra de Cage, es la intervención y el desarme de la música occidental. De esta manera, el trabajo artístico, según John Cage, está siempre arraigado a un trabajo político cuyo horizonte es la justicia, horizonte que, en efecto, Jacques Derrida ha puesto como condición de todo hacer.
Highlights
In a philosophical approach to the work of North-American composer John Cage, we use Derridean’s notions of ghost and spectrum for understanding his conception of sound and revealing the political status of his art
Artwork for John Cage is always rooted in a political work which horizon is justice
A horizon that Jacques Derrida puts as a basic condition for all doing
Summary
In a philosophical approach to the work of North-American composer John Cage, we use Derridean’s notions of ghost and spectrum for understanding his conception of sound and revealing the political status of his art.
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