Abstract
My paper is based on concept of Social unconscious and Basic Musical Matrix, defined by Foulkes (1964) and videly commented by Helena Klímová (2017). She explains and compares two different approaches to the personal freedom: that of Underground, subversive art, imported from West, and home-spun folk song. While pure poetry and other forms of literature are thoroughly mapped by generations, the field of songwriting and lyrics is seldom closely watched, if not completely neglected.
Highlights
Geografická hranice vymezuje v rozmezí naše-cizí, odkud až kam lze dojít bez ztráty jistoty
Semidarkness as Border of Inspiration My paper is based on concept
other forms of literature are thoroughly mapped by generations
Summary
16 Regine Scholz, The social unconscious and the foundation matrix – some thoughts, Group-analytic Contents, 56: 27-28, vyhledáno 10. 1. 2021. 16 Regine Scholz, The social unconscious and the foundation matrix – some thoughts, Group-analytic Contents, 56: 27-28, vyhledáno 10. Freud and the Psychoanalysis of History, Journal of the American Psychoanalytic Association, October 1, 1963, s. Developement of the ethnic unconscious, Group Analysis, 26: 389-405, 1995, vyhledáno 10. Dieter Nitzgen – Earl Hopper, The Concepts of the Social Unconscious and the Matrix in the Works of S. – Earl Hopper, The Social Unsconcious: Selected Papers, Philadelphia 2002. Siegmund Heinrich Foulkes, Therapeutic group analysis, London 1964, reprint Routledge 1994
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