Abstract

This essay investigates elements of the changing media landscape between the 2004 and the 2008 US presidential elections, focusing on the audio-visual works of two prominent independent organizations: Robert Greenwald's Brave New Films and David Bossie's Citizens United. After Kerry's defeat in 2004, Greenwald's organization gradually shifted from its production of political documentaries such as Uncovered: The Truth About the War in Iraq to a heavy reliance on YouTube and video campaigns such as “The Real McCain.” Citizens United, stung by the success of the numerous liberal-left documentaries of 2004 (by Greenwald, Michael Moore and others), produced a number of documentaries in 2008 including Hillary: The Movie and Hype: The Obama Effect, but put little energy into exploiting video streaming, video sharing and related technologies. Although Brave New Films videos were widely viewed on the Internet and played a significant role in the campaign, the flourishing of music videos on YouTube—over 1,000 embracing “hope” and expressing a pro-Obama sentiment—was arguably the most unexpected and a highly influential dimension of the 2008 campaign season.

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