Abstract

The article is devoted to the consideration of the modern political cartoons on foreign policy and socially-significant topics in Arabic and French. Political cartoon is a genre of political discourse that entered the scope of linguistic problems in the middle of the 20th century and is an actual problem of modern linguistics. Political discourse has such characteristics as anthropocentrism, multidisciplinarity, expansionism, functionalism and explanatoriness. The genres of political discourse can be characterized as a homogeneous and creolized text; political cartoon is a creolized text that unites iconic and verbal levels and has paralinguistic characteristics. The object of the carried out analysis is the creolized text of the modern Arabic-language and French-speaking political cartoon. The subject of the study in this work was the structural, cultural-specific and linguistic characteristics of the political cartoon text in Arabic and French. The material of the study was selected to be more than 100 cartoons on political topics in Arabic and French. An appeal to the genre presentation of political discourse and comparative analysis of political cartoons is a topical issue of linguistics in the absence of a sufficient number of scientific works touching on this topic. It should be noted that the well-known works devoted to political cartoons use material which is contemporaneous with the author of the study. The study of political cartoon phenomenon in various linguistic cultures is a sphere of the actual multidisciplinary research as the author’s creative beginning at the level of the text and drawing interacts in the political cartoon with the tradition and its genre frames, producing a volume-rich multi-layered creolized text, decoding of which requires the addressee to have the language, logical and extra-linguistic presuppositions and skills of analyzing the political cartoon.

Highlights

  • A political cartoon is a universal instrument of a political dialogue between government and society, a reflection or reaction of society to a political event, a series of events or a person of the national or world level

  • Political discourse is an object of study of political linguistics, a scientific direction that was formed in the second half of the 20th and the beginning of the 21st century: “at the present stage of science development it becomes increasingly clear that political

  • We proposed a technique for analyzing a political cartoon to effectively perceive its meaning: a political cartoon as a political text evaluates an event or a person in politics and belongs to the type of creolized texts where codes of different semiotic systems interact

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Summary

INTRODUCTION

A political cartoon is a universal instrument of a political dialogue between government and society, a reflection or reaction of society to a political event, a series of events or a person of the national or world level. The description of the universal and specific linguistic and extra-linguistic traits of Arab and French political cartoons is the subject of our study. Several countries have Institutes that document political cartoons, for example, the Center for the Study of Political Graphics in the USA and the British Caricature Archive. From the point of view of the language, one of the distinguishing features of a political cartoon is the interaction of verbal, iconic and paralinguistic components within it, i.e. its creolized text. Our study of creolized texts of political cartoons on the material of the modern Arabic and French languages included the analysis of more than 300 cartoons in the Arabic and French languages on political issues. — cartoons that offend the dignity of a person, for example, containing obscene words towards political leaders;. — racially discriminatory, for example, black Africans in the Arab African countries; — from the sources with scandalous reputation

POLITICAL DISCOURSE IN THE MODERN LINGUISTICS
POLITICAL CARTOON AS A CREOLIZED TEXT
GENRE FEATURES OF A POLITICAL CARTOON
ARAB AND FRENCH POLITICAL CARTOONS IN A COMPARATIVE PERSPECTIVE
Findings
CONCLUSIONS
Full Text
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