Abstract

ABSTRACT This paper presents an overview of emerging research at the Manifest Data Lab a collective of artists and climate scientists who employ climate data experimentally in public settings. We discuss one of our projects The Carbon Chronicles, a reverse-engineered climate data set, projected on prominent public buildings in London during the period of COP26. Our approach examines the potential of climate data visualisations to operate as a public form that surface issues of climate justice and historic responsibilities. We report on the project’s methodological framing, production and associated artistic strategies.

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