Abstract
Polish theatre thrived on subversion. Of course, there is a danger of retrospective idealization or sentimental overstatement. But the fact remains that the theatre in Poland had boundless capacity for challenging established aesthetic norms as well as the repressive political order. In the I98os, Solidarity launched Poland on the road to democracy. And unsettling though this thought may be to many readers of this journal, the final outcome of Solidarity is the building of capitalism. Where does this leave the Polish theatre and its strategies of subversion? How does a new set of circumstances-social, political, economic, cultural-affect the condition of the theatre?
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