Abstract
Underlying Polish cultural policy in general are some rather basic principles, neglected or under-emphasized in Canada. Perhaps the primary one is that any viable culture must have a broad base, as broad a base as state subsidies can possibly afford. The Polish amateur theatre movement, a movement of which few in the west are even aware, in addition to providing outlets for the creative use of leisure time, plays a key role in the development not only of this broad base but the development of Polish theatre as a whole. Premised on the idea that the best way to develop an educated audience is to provide them with opportunities to make theatre themselves, the amateur theatre movement is already paying rich cultural dividends all across the country.
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