Abstract

Abstract Novelists in many literary traditions have come to terms with the distinctiveness of their art form by thinking about poets and poetry. The need to differentiate the novel from poetry is especially pressing for Arab prose writers because of poetry's preeminent status in that literary corpus. Many twentieth-century Arab intellectuals have valorized the novel as the representative genre of modernity–whether conceived as an absent ideal or the epoch of consumerist capitalism–while situating poetry as a backward element of contemporary life. But poetry has also offered prose writers such as Muhammad al-Muwaylihi, in A Period of Time, and novelists such as Tayeb Salih, in Season of Migration to the North, a way to reflect on the ambivalences engendered by modernity and the experience of colonialism. This tradition of using the novel to meditate on historical rupture and the fate of poetry continues into the present, even as poetry's relation to political and intellectual life becomes increasingly tenuous.

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