Abstract

The object of this research is the women's poetry of Yakutia of the turn of the XX – XXI centuries. The subject of this research is the evolution of the lyrical poetry book in modern Yakut women's poetry. Works of the two leading lyricists of modernity Natalia Kharlampieva and Olga Koryakina-Umsuura served as the material for this research. Comparative-typological analysis of their works is aimed at determination of genre characteristics of the lyric poetry book and the ensemble unity of the poetry book of various years. The author examines the specificity of the lyric poetry book as a metagenre and its genre characteristics. Special attention is given to the ideological-thematic, architectonic and leitmotif components that unite the works into a single, holistic literary text. The author also explores the problem of formation of the ensemble unity of books of poems within the limits of works of a single author, which unifying principle is a lyrical metaplot that develops from book to book. The lyrical poetry book is presented as a form of authorial self-identification. The main conclusions of consists in determination of specificity of formation of the lyric poetry book and ensemble unity in Yakut women's poetry, its individual authorial and ethnic unique features. The comparative material allows revealing the dominant genre attributes of metagenre formations that imply “novelism” of the entirety of poetry books by Natalia Kharlampieva, and the cyclicity, intertextual coherence of the books by Umsuura. The author’s special contribution consists in elaboration of the methods for analyzing book macrocyclic forms through the prism of their motif-leitmotif systematicity and architectonic completeness. The novelty of this work is defined by the fact that for the first time in Yakut literary studies, Yakut women's lyrics is described as a developing system, aiming for “larger” macro-forms as an opportunity to systemically present the fullness of authorial worldview.

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