Abstract
Ephemera, doggerel, fragments, “weird English” (props to Evelyn Ch’ien), graffiti, community and individual survival—ecriture brute, folk letters, textile patterns evocative of “writing”; naive lettrism (as well as belletrisme and lettrisme brute); wise oraliture, gnomic thought-bytes and lyrical bullets, clairaudient visitations with a hermeneutic spin—traces of (in)decipherability; banality morphed into something more—
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