Abstract

It has become clear to us that the simile image is the dominant image in the poet’s collection of poetry (The House of Female Reciters) and that the metonymic image is ranked second in terms of the intensity of its presence after the simile image. The Qur’anic textual reference represents the main tributary to the formation of the image in the House of Female Reciters, while the literary textual image comes in first place. Second after the Qur’an in terms of its presence. Traditional and contemporary poetic attempts represented a clear presence in (The House of Female Reciters), as the textual reference enriched its texts.

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