Abstract

Questo saggio intende chiarire come la letteratura possa promuovere un'Etica dell’immaginazione empatica’. I testi letterari illustrano e spesso invitano all’accettazione di valori socialmente condivisi, ma possono anche, altrettanto spesso, tradursi in una sfida alla logica di tali valori, non solo a livello dei personaggi e dei loro comportamenti ma a partire dallo speciale uso del linguaggio e delle strategie narrative messi in atto dallo scrittore. La complessa plurivocita del letterario consente infatti la percezione di soggettivita molto diverse e diviene efficace strumento di resistenza al pregiudizio consentendo un approccio piu approfondito all’esperienza dell’alterita. Queste tesi verranno riprese in riferimento a The Voyage Out di Virginia Woolf. Un’attenzione particolare verra data al divario tra le posizioni del narratore e quelle dei personaggi in quanto strumentale all’empatetica critica woolfiana al colonialismo. 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Highlights

  • : Questo saggio intende chiarire come la letteratura possa promuovere un’‘Etica dell’immaginazione empatica’

  • Among the many narrative innovations of the novel, one has hardly been noticed by critics, and will be my main focus in the pages that follow: it is the fact that the reader is invited to e perience the voyage out’ as an instance of direct contact ith cultural di erence

  • Most of the characters in the novel, i.e., the group of English travelers who come on the Euphrosyne to anta Marina, embody this biased ideological dimension and un uestioningly uphold it, because ideology often operates in terms of ‘naturalizing’ its assumptions, and tendentiously making what is culturally construed look natural, and universal

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Introduction

: Questo saggio intende chiarire come la letteratura possa promuovere un’‘Etica dell’immaginazione empatica’. Among the many narrative innovations of the novel, one has hardly been noticed by critics, and will be my main focus in the pages that follow: it is the fact that the reader is invited to e perience the voyage out’ as an instance of direct contact ith cultural di erence.

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