Abstract

This article examines the connection between Caribbean foodways and the varieties of speculative fiction that have emerged from the region. My contention is that Caribbean sf not only draws attention to the baleful impact of capitalist imperialism on agro-ecologies and food cultures, but can also have a special role in catalyzing opposition to it. I examine some of the ways in which Caribbean writers have used sf and, more particularly, Afrofuturist forms to dramatize the bloody history of plantation agriculture, conflicts over land use, and popular resistance to imposed food cultures. Focusing on novels by Anthony Joseph, Erna Brodber, and Diana McCaulay, I explore how their aesthetics of estrangement sensitize readers to the stakes involved in the struggle between food dependency and food sovereignty. Against a backdrop of accelerating climate breakdown, new rounds of imperialist plunder, and the ongoing colonization of eating habits, all three authors draw on the legacy of the plot system to envision emancipatory food futures.

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