Abstract
Abstract Archbishop of Esztergom Gyorgy Lippay's summer residence and garden in Pozsony (Bratislava) were represented on a series of engravings published in 1663. According to the dedication text on the title page, the series originally consisted of twenty sheets only four of which survive, along with two copies of the title page (see Appendix I. 1–5). The prints were made after the drawings by Johann Jacob Khun, the archbishop's court artist. Khun's mark is discernable on a recently recovered copy of the title page (a later imprint of the original plate). The engravings were executed by Mauritius Lang of Augsburg. Descriptions of the missing sheets are included in Notitia Hungariae Novae Geographico Historica by Matyas Bel. The idea behind redecorating the garden and commissioning the engravings is conveyed by the motto on the title page: “Haec dicit Dominus Deus: Tu signaculum similitudinis, plenus sapientiâ et perfectus decore in delitiis paradisi Dei fuisti.” (Ez 28:12–19). The biblical allusion point...
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