Playing with the Play: Theatrical Self-consciousness in Aristophanes

Abstract

The breaking of the dramatic illusion in Aristophanes is a well-known phenomenon, that has often been commented upon, and that many have been able to take for granted. It seems to me, however, that there is still some confusion surrounding its function in Aristophanic comedy, and that since it has an important bearing on the nature of this kind of drama, there is warrant for raising the matter again.