Abstract

This paper explores how Menaechmus II of Syracuse unintentionally succeeds in removing Menaechmus I, his Epidamnian twin, from a society which has been exploiting him. The process of withdrawal runs through the play, and is achieved in two stages in which Menaechmus II assumes his twin brother’s meta-dramatic role: in the first play the newly arrived brother alienates the Epidamnian twin from his immediate social and family milieu; and in the second he almost leads the Epidamnians to have his brother isolated within the community on account of the latter’s alleged insanity. As servus bonus, Messenio initially discourages Menaechmus II from comic merrymaking, thus impeding the reunion of the siblings, but later assists in forwarding the plot: he thwarts the Epidmanians’ intention to seclude him and eventually facilitates the recognitio between the twins as well as their final decision to return to their native land. Thus, Menaechmus II’s quest for his twin, which seems to have been deferred when he first arrives in Epidamnus, is prepared for and effectively carried through via the evolution of meta-plots.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call