Abstract

The first synthetic polymers were introduced as constituents of everyday life, design objects, and artworks at the end of the 19th century. Since then, the history of design has been strictly connected with the 20th century evolution of plastic materials. Objects of design from the 20th century are today a precious part of the cultural heritage. They raise specific conservation issues due to the degradation processes affecting synthetic polymer-based plastics. Museums and collections dealing with the conservation of design objects and modern materials need to base their conservation strategies on compositional data that reveal the formulations of historical plastics and their decay processes. Specific and specifically optimized analytical tools are thus needed. We employed flash analytical pyrolysis coupled with gas chromatography and mass spectrometry (Py-GC/MS) and evolved gas analysis coupled with mass spectrometry (EGA-MS) to characterize “historic polymeric materials” (HIPOMS) and heritage plastics at the molecular level with high chemical detail. This approach complements non-invasive spectroscopic diagnosis whenever it fails to obtain significant or complete information on the nature and the state of preservation of the materials under study. We determined the composition of several 20th century design objects (1954–1994) from the Triennale Design Museum of Milan (Triennale Milano - Museo del Design Italiano), which for different morphological, chemical, or physical reasons were unsuitable for characterization by non-invasive spectroscopy. EGA-MS proved capable for the study of the different fractions constituting heterogeneous micro-samples and for gaining an insight into their degradation processes from the contextual interpretation of thermal and mass-spectrometric data.

Highlights

  • Investigating modern materials in art is not limited to paintings: a wide range of polymer-based plastics are included in sculptures, and in design objects that are often housed in important museums, collections and exhibitions [1,2]

  • Today, aged synthetic or semi-synthetic plastics are often encountered in museums and collections and are often referred to as “historic polymeric materials” (HIPOMS, comprising natural polymeric materials industrially transformed and historic synthetic polymers in heritage objects [3]), “modern materials” or “heritage

  • The results obtained within this work show how the use of analytical pyrolysis in the two analytical configurations, Py-GC/MS and evolved gas analysis coupled with mass spectrometry (EGA-MS), is an extremely powerful tool for the analysis of plastic heritage objects

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Summary

Introduction

Investigating modern materials in art is not limited to paintings: a wide range of polymer-based plastics are included in sculptures, and in design objects that are often housed in important museums, collections and exhibitions [1,2]. Since the beginning of the 20th century, a huge variety of synthetic polymer formulations have been used to produce objects of everyday use and design objects, replacing the role of natural materials such as wood, metal or ivory. Today, aged synthetic or semi-synthetic plastics are often encountered in museums and collections and are often referred to as “historic polymeric materials” (HIPOMS, comprising natural polymeric materials industrially transformed and historic synthetic polymers in heritage objects [3]), “modern materials” or “heritage. Museums and collections dealing with the conservation of design objects and modern materials need to base preservation strategies on compositional data. Conservators and curators do not, in many cases, have clear information on the composition of plastic objects in collections

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