Abstract

This paper argues that Michael Chabon's novel, The Yiddish Policemen's Union , participates in a long and contentious conversation about the role of Israel in Jewish identity. By examining the role that eruvim play in creating and contesting Jewishness in Chabon's 2007 postmodern detective novel, the paper suggests that Chabon crafts a world in which geographic space complicates, rather than simplifies, Jewish identity in diaspora and postmodernity. The Jewish Alaska of Chabon's imagination therefore has a profound connection to his controversial statements about the modern geopolitical state of Israel.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.