Abstract

Abstract The proposed demolition in 1844 of the infamous ‘Thieves' House’, a dilapidated structure situated on West Street in the notorious London slum of West Smithfield, was the focus of great public interest. Thousands of spectators reportedly came to see the house in the days leading up to its destruction, with some privileged individuals given lamp-lit tours of its interior. An unremarkable facade belied its strange internal construction, which incorporated trap doors, false walls and secret passages. These were described in detail in several journalistic accounts in which the house was imagined as a lair of thieves and murderers, fitted out for the commission and concealment of crime. The house seized the imagination of both authors and artists, becoming the inspiration for serialized fiction, three dramas, and a large body of drawings and prints. While the various representations of it foreground the familiar ‘slum’ narratives of dereliction, degeneration and criminality, this article uncovers a counter-narrative of nostalgia and regret for the old city as a space shaped by the needs of its inhabitants, in contrast to the emerging metropolis designed for the circulation of labour and capital.

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