Abstract
A Los Angeles-based body representing the major film studios, the Technology Council of the Motion Picture and Television Industry, recently proposed a change in the way motion-picture productions are transferred from film to tape for video distribution. The stimulus for the proposal is that the present transfer method is placing an increasing cost and complexity burden on the studios because of the proliferating number of video distribution formats that have to be derived from each film original; to avoid picture-quality compromises, each output variant has typically required a fresh transfer implying that the full costs of film handling and labor-intensive operations such as color correction have to be borne each time
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