Abstract
This paper will be concerned with Pindar's often-discussed innovations in the Pelops-Tantalos myth of the first Olympian, where Pindar explicitly rejects the traditional story of Tantalos' cooking his son Pelops and serving him up to the gods, one of whom inadvertently ate from the cannibalistic dish. Does Pindar really alter traditional features of a story from religious considerations only, as the communis opinio takes him to do? D. C. Young has recently drawn attention to the astonishing formal symmetry of the ode. As to the contents, however, the old charges against Pindar's poetry, inconsistency and irrelevance, still remain (‘His method and his conclusion are not easy to unravel’, Bowra says with regard to the central myth in O. I).
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