Abstract

Tim Robinson’s acclaimed two-volume account of the Aran Islands, Stones of Aran: Pilgrimage (1986) and Stones of Aran: Labyrinth (1995), originated both in the author’s personal fascination with the islands and his professional, cartographic project when he was encouraged to produce a detailed map of the area. The digressive narratives in the companion volumes are structured around Robinson’s walks along the coast (Pilgrimage) and through the interior of Aran (Labyrinth). His generically hybrid books combine topography, folklore, human and natural history, culture and nature. Although sceptical about the tradition of romanticising the Aran Islands and a self-professed non-believer, Robinson nevertheless tends to transcend down-to-earth, factual reporting towards reflections on the spiritual and the universal. This approach paves the way for the use of metaphorical language. The article examines the intersection between the scholarly and the creative, the objective and the personal in Stones of Aran, and especially the tension between the writer’s simultaneous proclivity for and resistance to figurative language.

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