Abstract
The article establishes the most appropriate context for understanding Pietro Antonio Bianco’s Missa Percussit Saul mille. In 1601 the Inner-Austrian Archduke Ferdinand II appears to have commissioned a Mass based on Giovanni Croce’s militaristic motet Percussit Saul mille for a solemn Mass celebrated before his departure for the battle of Kanisza. Its composition was entrusted to Ferdinand’s kapellmeister, Bianco. The latter’s Mass seems to be a musical statement of political ideas and demonstrates the function, convention and ideology of ceremonial sacred music at the Graz court around the turn of the sixteenth century. It reflects a political-musical culture that flourished even more greatly after Ferdinand became Emperor.
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