Pier One: Dream Deferred

Abstract

In 1971, John Dunsworth had a dream of an experimental theatre in Halifax. With the help of his friend, Bob Reid, some borrowed money, enormous enthusiasm, creativity and imagination, Dunsworth rented a small cluster of gray warehouse buildings on the Halifax waterfront, and proceeded to empty them of some 200 loads of junk. Within a few days, drama students, unemployed actors, artists, graphic designers and lovers of experimental theatre converged on Pier One, offering their services gratis. The dream became a reality. Together, this group built an 80-seat arena playhouse designed for intimate communication between actors and audience. There was an unmistakable charm about the place — the small lobby, the lounge with its original wall designs by Roger Hupman. But it was Dunsworth’s theatre. His character was stamped on it. His enthusiasm, his choice of plays (although Reid contributed much in this area), and the company’s obvious enjoyment of their roles, made Pier One viable and dynamic. Within two years over 10,000 playgoers had seen its performances.