Abstract
ABSTRACTPhotographs of human suffering inundate everyday life in the United States. The camera lens brings the human gaze into the intimate anguish of state sponsored torture and “natural disaster.” This essay argues that photographs of suffering in contemporary culture present a nexus of ethical and moral issues. These issues arise from how photographs represent suffering “others” and how these images inform collective response to human anguish. This essay interrogates this intersection through the lens of Christian ethics' root metaphor ofimago Dei. First, the essay explores the power and privilege that are invisible in the act of gazing upon a photograph of human suffering. Second, Kevin Carter's 1994 Pulitzer Prize winning photo of a Sudanese girl-child is deconstructed through the use of visual cultural studies. This analysis illustrates that photographs are not a literal depiction of suffering but rather a cultural representation which deeply condition the knowledge of human suffering. Finally, the essay argues that the photo is an invitation for the viewer to become an agent, not a spectator whose morality is realized in the sociality ofimago Deiin suffering.
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