Abstract
With the end of effective resistance to British rule after the Third Anglo-Burmese War, Burma experienced significant economic growth, which led to larger numbers of foreign travellers going there. This article traces the publications of three travel writers – Mrs Ernst (Alice) Hart, R. Talbot Kelley and V. C. Scott O'Connor – by investigating the ways in which they relied on the concept of ‘picturesque’ to understand Burmese landscapes.
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