Abstract
Considering their importance in the history of the English theatre, we know remarkably little about the architectural features of the two Restoration playhouses which Thomas Killigrew and his King's Company built on the plot of ground where the modern Drury Lane now stands. In 1913 Hamilton Bell published reproductions of some designs by Sir Christopher Wren, two of which he felt might have some connection with these buildings, and of these the section view of a “Play House” has been frequently reprinted. The frontispiece to Perrin's Ariane (1674) shows the stage of Drury Lane, and we have two pictures from near the turn of the century depicting Joe Haines (or Haynes) mounted on an ass on the Drury Lane forestage. Other than these five prints, however, pictorial material on these important playhouses has been wanting. Therefore it may be worth considering more carefully what we already have and reporting on several new discoveries.
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