Abstract
Piano concertos by F. Chopin: “composing center” means
Highlights
First, the article concentrates on those life and creativity circumstances which served as determinants that had brought those musical pieces to life
The object of the work is our extrapolation of these data onto interpreting the composing center means as an ingredient of the corresponding performance analysis of the above pieces
Applying elements of general scientific and specific musicological gnoseological methods, we arrive at the conclusion that stylistically the composing means of the both Concertos by F
Summary
57 ■ Проблеми взаємодії мистецтва, педагогіки та теорії і практики освіти virtuoso style of the epoch of transferring from Classicism to Romantism, and, on the other hand, they serve as the development of the traditions shaped up for the many-century existence of piano-concerto forms, starting with J. Що, проте, не означає сформованості остаточної думки про них.
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