Abstract
AbstractUnderstanding the chemistry of dyes and pigments found in cultural heritage objects and their permanence is central for their preservation. Heritage science research has generally focused on either identification of materials present on actual objects or accelerated and natural ageing of mock‐up samples prepared using historically accurate methods to simulate the materiality of cultural heritage objects. A more recent strategy is the integration of these two research areas, which provides a holistic approach to assess both the chemical composition and stability of materials. Over the last 30 years, microfading testing (MFT) has notably contributed to understanding materials' responsiveness to light, minimising damage to objects from museum lighting and revealing insights into molecular structures of dyes and pigments, when employed in conjunction with other techniques. By combining MFT with diverse analytical methods, including imaging, spectroscopy, microscopy and chromatography, a more comprehensive approach is achieved. This joined‐up strategy contributes to improved decision‐making processes in the conservation and preservation of cultural heritage objects.
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