Abstract
This paper describes the development of a set of electronic music instruments (PHOXES), which are based on physical modeling sound synthesis. The instruments are modular, meaning that they can be combined with each other in various ways in order to create richer systems, challenging both the control and perception, and thereby also the sonic potential of the models. A method for evaluating the PHOXES has been explored in the form of a pre-test where a test subject borrowed the instrument for a period of 10 days. The longer test period makes way for a more nuanced qualitative evaluation of how such instruments might be integrated into workflows of real world users.
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