Abstract
The paper analyzes the phenomenon of the visual, namely, the analysis of the possibility and means of expressing the surrounding world through the concepts of photography and simulation, which are widely used in modern studies of visual culture. Through the expressions of authenticity, the authenticity and aura of Walter Benjamin, the simulacrum and simulation of Jean Baudrillard, an image of the city and an understanding of its reality in general and individual parts in particular arise. The interpretations of a separate space by individual human units of the city with their own meanings and understanding of authenticity are the result of the visualization by the subject-bearer of a specific image of the urban space.
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