Photography, Modernity and the Governed in Late-colonial Indonesia

Abstract

Introduction: Susie Protschky, 'Camera ethica - Lenses on modernity, civilisation and being governed in late-colonial Indonesia.'[-]Part One - Governing Lenses on Ethical Policy and Practice[-]Chapter One: Jean Gelman Taylor, 'Ethical policies in moving pictures: The films of J.C. Lamster.'[-]Chapter Two: Susie Protschky, 'Ethical projects, ethnographic orders and colonial notions of modernity in Dutch Borneo: G.L. Tichelman's Queen's Birthday photographs from the late 1920s.' [-]Chapter Three: Paul Bijl, 'Saving the children? The Ethical Policy and photographs of colonial atrocity during the Aceh War.'[-]Part Two - Local Lenses on living in an 'ethical' Indies[-]Chapter Four: Pamela Pattynama, 'Interracial unions and the Ethical Policy: The representation of the everyday in Indo-European family photo albums.'[-]Chapter Five: Joost Cot , 'Reversing the lens: Kartini's image of a modernised Java.'[-]Chapter Six: Karen Strassler, 'Modeling modernity: Ethnic Chinese photography in the ethical era.'[-]Chapter Seven: Henk Schulte Nordholt, 'Modernity and middle classes in the Netherlands Indies: Cultivating cultural citizenship.'[-]Chapter Eight: Rudolf Mr zek, 'Say cheese: Images of captivity in Boven Digoel (1927-1943).'[-]