Photography in the Szondi Test: ‘The Analysis of Fate’

Abstract

Léopold Szondi invented a projective test using photographs of people with mental pathologies to determine the unconscious, ancestral illnesses (or aptitudes) of his subjects. Szondi’s images were garnered from psychiatric textbooks published around 1900. Such photographs presumably revealed unconscious thoughts, desires, and destinies in the course of a test session. If a patient responded positively to a photo-portrait of a diagnosed ‘hysteric’, for instance, this indicated that the subject herself had unconscious, inherited hysterical traits. Szondi’s reasoning was predicated upon two commonly held fallacies: first that an individual’s physical appearance is the external marker of mental life, and second that photography is a transparent means of revealing true facts. In spite of (or maybe even because of) such problematic assumptions, Szondi’s use of photographs can be located historically in a tradition of reading human character from portraiture. The test was widespread, and was even administered to Adolf Eichmann at the time of his trial in Jerusalem – an ironic cultural development as Szondi himself would have been among the thousands of Jews deported from Hungary directly to Auschwitz by Eichmann had the Szondi family not been rescued by the Kastner train of 1944.