Abstract
This article examines the poetic and visual representations of the novel The One Facing Us by Ronit Matalon via reading the famous novella of Joseph Conrad, Heart of Darkness. The importance and originality of The One Facing Us lie in the development of a representational language, and hence of original and daring coping mechanisms that define identities within a post-colonial situation that has residual colonial aspects.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Paper version not known
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
