Photography and the Art of Memory Creation: Portraits of a Provincial Jewish Community in the Late 1930s

Abstract

Using visual-historical methods, this article seeks to offer insights into the experiences of two historiographically underrepresented – but in this specific case overlapping – groups during the National Socialist era: elderly and provincial Jews. The article centres on a fascinating set of images: namely, a selection of portraits of individuals and photos of the Jewish community inside and outside of the local synagogue on a Saturday morning. The photographer, a young man by the name of Heinz Bähr, was preparing for his imminent immigration to the United States when he returned to his hometown of Breisach am Rhein in 1937 and photographed his extended family and members of the small rural Jewish community. As the article shows, photography was not simply a means to represent the elderly through the eyes of younger Jews but was an intergenerational practice of constituting communal memory. The photos reveal the self-perceptions of those who stood in front of and behind the camera and how these actors chose to represent historical processes on film.