Abstract
Click to increase image sizeClick to decrease image size Acknowledgments The author wishes to thank Robert L. Patten, Joanna O'Leary, and the anonymous readers at LIT for their assistance with this manuscript. Notes Although Carol Armstrong uses the similar expression “irretrievability of time past” in passing in her study of these photographs, she does so with reference to the photograph of Elaine with the shield cover specifically, and the “melancholy erotics” of Cameron's work more generally (401–42). Additional informationNotes on contributorsAmelia ScholtzAmelia Scholtz received a Ph.D. in English from Rice University in 2011 and is now an associate scientific editor at the University of Texas MD Anderson Cancer Center. She is revising her dissertation into a book manuscript, tentatively titled “Reading Japanglia: Anglo-Japanese Literary Connections, 1880–1920.” Her work has previously appeared in Japanese Studies and Pacific Coast Philology.
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