PHILOSOPHY OF THE MODERN TEXT: THE FEATURES OF THE NARRATIVE STRUCTURE

Abstract

The article deals with the problem of the philosophy of the text as a complex episteme of modern humanitarian discourse. The issue of the specifics of the narrative structure, the polyphony of the text in the dialogical space of modern literary discourse is actualized. It is proposed to consider the text in two aspects: the text as an autonomous object of reflection and the text as a code. Literary practices are investigated from the point of view of identifying mechanisms for the implementation of a given narrative structure and a voluminous descriptive plan of the text.The production of metatext is becoming one of the most significant trends in modern Kazakh prose, especially the novel genre. Special attention is paid to the analysis of the nuclear concepts of the narrative and their interaction with other elements of the poetics of the text. It is determined that the narrative frame of the text can be formed linearly and linearly. The philosophy of the text is inextricably linked with the general narratological postulate of eventfulness and a specific hierarchy of events, characters in the work. It is determined that the conceptual task of Kazakh historical romance is a panoramic examination of the complex historical and cultural ties of ancient nomadic and sedentary states. A combination of the traditional lyric-epic, realistic and postmodern aspects, the interaction of ethno-and foreign-cultural elements within one text is investigated. This approach determines the style of the text, deepening its philosophical and worldview content.Jamie E. Carroll's idea of ​​“transition from the text as a complete work to the text” with potentially maximum wide interpretive and communicative freedom seems to be productive when considering the philosophy of the text, its narrative specificity. In this case, the emergence of texts with a predominantly hybrid genre-style nature (novel-essay, novel-requiem, journalistic story, etc.) is possible.