Abstract
This chapter urges us to consider the philosophy of perception to be a guide to aesthetics. More precisely, its claim is that many, maybe even most traditional problems in aesthetics are in fact about the philosophy of perception and can, as a result, be fruitfully addressed with the help of the conceptual apparatus of the philosophy of perception. This claim may sound provocative, but after qualifying what he means by aesthetics (to be contrasted with philosophy of art) and by philosophy of perception, Nanay argues it may in fact be easier to accept.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
